LETZ ZEP REVIEW
Letz Zep and Sabbath Bloody Sabbath played at the Enmore last night, and it was the ultimate night full of metal and rock.
Sabbath Bloody Sabbath opened the night with an incredible tribute to the masters of heavy metal, and from the second they walked on stage, the whole venue was buzzing. The vocalist captured that haunting Ozzy-style sound perfectly, and he moved across the stage with confidence and got the crowd involved during "Children of the Grave and Into the Void" Every scream and lyric had the fans singing along loudly, and it felt like a classic Black Sabbath show brought back to life. The guitarist was one of the highlights of the set, and he brought crushing Tony Iommi-inspired riffs with unbelievable accuracy. Songs like "Sabbath Bloody Sabbath and War Pigs" sounded huge live, and every solo had the crowd cheering as the iconic heavy metal guitar tones filled the venue. The bass player held everything together with that deep rumbling groove that gave the songs their real power, especially during "Sweet Leaf and Iron Man" and the sound shook the room. The drummer was relentless all night, and smashed through the set with thunderous beats and perfect timing while keeping the energy high from start to finish. By the end of the set the crowd was completely fired up and ready for the next set.
Letz Zep hit the stage, and the atmosphere went to another level. The band didn’t just play Led Zeppelin songs, they fully captured the spirit and energy of the real thing as they kicked off their set with "Communication Breakdown and Heartbreaker".
Billy commanded the stage with huge vocals that sounded incredibly close to Robert Plant, as the set kicked into "Ramble On and Since I've Been Loving You" he worked the crowd constantly, throwing in classic rock star moves, and everyone was clapping and singing along. Andy was phenomenal throughout the entire show, and he recreated Jimmy Page’s legendary guitar work with passion. Every song felt massive, and the crowd erupted as he launched into "No Quarter, Dazed and Confused and Achilles Last Stand", and it brought us to a blazing set that sounded like it was straight out of the 70s. His tone, stage presence, and effortless playing style made it impossible to look away.
The set grooved into "Kashmir, Moby Dick and Stairway to Heaven" Toby was outstanding, and he locked in with Jim and added grooves and weight to every track, and the driving, thick bass lines had everyone nodding along. As "Black Dog, Whole Lotta Love and How Many More Times" continued Jim was an absolute powerhouse behind the kit, and he beat through complex rhythms, and made everything look effortless. His performance was on point, and fans cheered after every drum section.
