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JASON BONHAM REVIEW

Jason Bonham’s JBLZE didn’t just put on a show at Sydney Opera House, they delivered a full-scale, spine-tingling tribute by performing Physical Graffiti in its entirety. As we witnessed rock history come back to life, from the opening notes, the crowd knew they were in for something special, and hearing these songs live was on another level.
 

The set kicked off with Custard Pie and The Rover and the bass brought a warm mix of grooves while the keys moved everything forward, and it added energy without ever overpowering our emotions, and that made these songs hit so hard.

The collection of songs took us on a journey, and the band treated it with the weight and respect it deserved. Tracks like In My Time of Dying, Houses of the Holy and Sick Again hit with a hypnotic power, and had the whole place moving, and the grooves were impossible to resist.
 

The set continued with hits including Bron-Yr-Aur, Boogie With Stu and Black Country Woman, and that brought a fun and energetic vibe to the venue. The album shone through and the band leaned into every shift, from bluesy grit to sprawling, experimental rock. The guitars carried that perfect balance of softness and punch, and shifted effortlessly between intimate moments and bigger, more anthemic sections that filled the room.
 

At the centre of it all was Jason Bonham, and he didn’t just replicate his father’s iconic style, he honoured it. His playing was thunderous and deeply felt, locking in perfectly with the band while still adding his own fire.

The celebration continued with Down By the Seaside, Night Flight and Ten Years Gone, and the cool, intense vibe hooked us into the music, and James voice carried every note with perfect harmony.
 

The set concluded with Stairway to Heaven, Whole Lotta Love and Rock and Roll, and it made the night unforgettable. The crowd responded with a standing ovation, to Playing Physical Graffiti in full. The night was full of fans singing, cheering, and hanging onto every note, and they were fully immersed in the experience. By the end, it wasn’t just about nostalgia, it was about reliving something timeless, together.

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EST: Oct 2016
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